Fog and Butterflies in the Ark

The entrance to Arken - drawn by Søren Robert Lund, an at
the time only 25-year old architecture student. The letters
say "THE WEIGHT OF THE LIGHT / FROM ABOVE /
SENT TO REST / ON THE FOAM / FROM THE WAVES
ON THE SEA"

Yesterday, I went to the museum of modern art a bit outside Copenhagen called "Arken", meaning the Ark (as in Noah's Ark). It is by the sea in Ishøj, which is perhaps not the most obvious place to put such a museum (Ishøj is a less-well-off suburb to Copenhagen), but it was built as part of an admirable project of moving working class people out of the Copenhagen slum, by building a whole new part of the city - with a highschool, artificial beaches and a museum. There is a videoinstallation in one room with the area's history, where they explain for example how they fought to get a highschool; the plan was to build another one in Gentofte, which is one of the very well-off suburbs north of Copenhagen, because it had a higher concentration of educated parents. But instead of only looking at demand for education, local politicians were clever enough to consider supply as a creator of demand - if there was no highschool, chances of getting kids from un-educated homes to attend one were slimmer, and it would be difficult to attract educated families; and so the slum would really just be moved somewhere else. The same logic was applied to building the museum - and as I said, I find it an admirable deed (especially since it's a really good museum).

I went to Arken to see an exhibition by the Icelandic artist Olafur Eliasson. He has made an installation called Your Blind Passenger (2010) as a part of an exhibition series at the museum called "Utopia"; it is a long tunnel filled with fog lit with different coloured lighting - you can see no further than a metre in any direction, which is an extremely odd (and slightly terrifying) sensation when you are used to relying so heavily on sight to make your way in the world. The video below might give you a sense of it: 

Olafur Eliasson, Your Blind Passenger (2010)

Damien Hirst, For the Love
of God, The Diamond Skull
(2007)

Apart from Eliasson, some of my favourite things at the museum were the Damien Hirst works they have. Hirst has a way of dealing with our sense and perception of death in a way which is both beautiful and disturbing, something I highly appreciate. One of his best known works is perhaps the diamond-encrusted skull entitled For the Love of God (2007); Arken owns a silk print of this with crystals attached in place of the diamonds. 

Together with this large silk print hang 6 other works by Hirst; 4 of them are collectively named The Elements (Who's Afraid of Red, Yellow, Green and Blue), (2005). They are big paintings in strong colours, with what first appears to be painted butterflies; moving closer, though, you realise that they are actual butterflies "caught" in the paint. From being a happy picture of butterflies and colours no one can be scared of, it becomes a butterfly death trap. Below are first the full-size pictures, then closeups I took yesterday. 

Damien Hirst, Untitled
(Birthday Card), (2001)

Much the same theme is present in the two remaining pictures; the first is Untitled (Birthday Card), (2001), which is a great baby pink heart with butterflies (never mind the light reflection in the picture to the right, not a part of the work). 

The second is a large black disc with some sort of framed 'structure'. You have to move really, really close and look at it for a while before you can see what it is; thousands, millions of flies held together by black paint. And you jump back, disgusted, immediately; before you knew what it was, you didn't mind being close to it, but when you do you have to convince yourself in a wholly different way before moving closer. This kind of art, which almost physically interacts with its viewer I think is very impressive.

Peter Holst Henckel, World of Butterflies (2002)

Lastly, I saw some things by artists I didn't know. One room had a whole wall filled with pictures of butterflies like the one to the left (reminded me of The Collector) - it took me a very long time to realize that they were not just butterflies. The work is entitled World of Butterflies (2002) and is by Danish artist Peter Holst Henckel - again, here is this mix of the brutal things in life (there were many of them with well-known press photos of starving children, guerilla soldiers etc.) and something beautiful and fragile, where it takes a while to realise that the former is even there. 

Right before we went home, we browsed a bit in the museum shop; for my summer reading list I bought Fashion since 1900 by Valerie Mendes and Amy de la Haye. Looking forward to reading it :)

Now, back to studying for exams. My first one is English, tomorrow! Before that, though, I'm planning on getting my driver's licence today around 1.30 p.m., GMT+01. Wish me luck :)

Arken Museum of Modern Art

Skovvej 100

2635 Ishøj

Open: mon closed; tue 10-17; wed 10-21; thu-sun 10-17