Analogue Blogging & When you wish upon a star

This week I've probably been more stressed than I've ever been before: I had 8 exams in 5 different subjects during 4 days. So when I got home from my last history exam, I collapsed on the sofa in our garden-facing room where I could see our 90-year old apple tree blossoming. I fetched a blanket, a pillow, Thursday's newspapers and my May issue of British Vogue which I hadn't had the time to look at yet - and sitting snugly I read both newspapers and Vogue from cover to cover. I can strongly recommend this to anyone in desperate need of tranquility.

At night, I wanted to write a blog post - felt a bit guilty for not posting anything the whole week. And guess what: Blogger was down! And remained so until sometime Friday evening. Very annoying. Instead, I resorted to some analogue blogging; I cut out stuff I liked from my Vogue and posted it to my beloved Moleskine notebook. I had space in between the poems I learned by heart for my English exam - had planned to write notes for them, never got around to actually doing it. Reading through the magazine reminded me why seeing the editorials online just can't compare; especially since not all of them make it to for example fashiongonerouge.com.

Out of the four editorials in Vogue, 2 of them were some of the best I think I've ever seen; 'White Mischief' with Agyness Deyn by Tim Walker:

and 'Forget Me Not' with Hannah Holman by Tim Gutt and set design by Shona Heath (who also did the 'Star Signs' set design in the December 2010 issue; those who have been in the Nørre G drama room will recognize those pictures as some those I decorated the walls with). The shoot was themed around the customary gifts for different anniversaries (17th = Furniture, 20th = China, etc.):

And by the way: I felt like humming 'When you wish upon a star' yesterday; some of the McQueen garments meant for the 'Savage Beauty' exhibition at the Met got caught in customs, and weren't allowed to enter the USA. Which means: They are displayed in the windows of Harvey Nichols at Knightsbridge until the end of May !!!!!!!

I've been talking to a friend about going to London for a couple of days sometime during the summer, to watch David Tennant in 'Much Ado About Nothing' at Wyndham's Theatre. We both loved him in Hamlet (although we only watched the movie), and would like to see him on stage - now, we're trying to find out if we have time to go sometime this month, so we can catch McQueen at Knightsbridge. And I also want to show her the fantastic gallery "The Haunch of Venison" which I visited by myself when I was in London last summer (my companions went to Abercrombie & Fitch across the street instead) - I'll write more about that some other time. 

Alexander the Great conquers NY post mortem - and I'm not there to see it

From McQueen's Fall '06 collection, shot by Steven
Meisel for Vogue US (from fashiongonerogue.com)

This summer, there is one place I'd really really like to go. Which is unfortunately not very realistic.  See, I've never been to the US, and have always wanted to visit New York, but I am dying to go there particularly this year to see the posthumous McQueen exhibition at the Met, "Savage Beauty".

I've been a fan of McQueen pretty much ever since I became interested in fashion (which is quite a long time ago, really), and was very saddened when he passed away. In my last post I spoke of Damien Hirst, saying that what I liked about him was how he played with our concept of death, that his art was both beautiful and disturbing at the same time. Much the same is the reason for my admiration for Alexander McQueen; he also toyed with this theme, for example in the gown below from the Spring '07 collection, adorned with actual flowers, some of which fell of the dress as it went down the runway. It was an interesting comment on the eventual decay of beauty, I thought. Real flowers have always been more beutiful to me than the fake ones, even if they are of good quality, because the beauty of real flowers is passing, and will eventually wither away - which reminds us to appreciate it while it's there. 

Look from the McQueen Spring '07 collection, featured in Vogue US in the story
"Alexander the Great", shot by Steven Meisel (from fashiongonerogue.com)

Also, most of McQueen's collections were very couture-like; even if his label didn't have a place in the Chambre syndicale de la haute couture, he made some of the most stunning, elaborate and exquisite garnments I can remember. But at the same time he retained an (in my mind) very British quirkiness along with a good deal of self-irony - notice the antlers which are a part of the look on the first picture in this post. 

Alexander McQueen, Fall '10. Pictures from Style.com

The last collection he did himself was the Fall 2010 ready-to-wear; another gorgeous collection, and I guess he died at the height of his career - joining ranks with Marilyn Monroe and others. Still, I wish he'd gone more in the footsteps of Audrey Hepburn, pulling out of the business if he wasn't happy with it anymore, but living a long life anyhow. 

The McQueen fashion house now has a new head of design, Sarah Burton, and so far I'm not too crazy about her designs, but she does of course have quite a legend to live up to. She did manage to make a rather nice wedding dress for the new Duchess of Cambridge, though ;)

Oh how I wish the Met could magically be transported to Copenhagen, or even just London, so I'd have the money to go see the exhibition!

Fashion Gone Rogue

Nimue Smit by Sebastian Kim for Numéro #122
(from fashiongonerogue.com)

One of my favourite places on the web is the blog Fashion Gone Rogue. There is posted mainly editorials from fashion magazines from all over the world, USA to China to Russia. I do read some magazines as well, but having found this blog means I don't have to buy Italian Vogue to see their amazing pictures - at 120 dkkr (≈$24), it feels like a bit of a waste to buy it when I don't understand any of the other contents of the magazine. 

          I like the idea, not only of accessing many of these pictures for free, but accessing them at all. I am not limited by my magazine-budget or by what they choose to sell in the Magasin du Nord magazine-department; and I gain access to the international fashion world, rather than merely what Western editors choose to show me. There is for example always a marked difference between Asian editorials (which again vary between countries) and e.g. Danish; even if the photographers might be the same, and the model European, the influence from the Japanese or Korean magazine makes the final result entirely different. And just as I enjoy the cultural diversity of my IB class, getting to either confirm or affirm prejudices on my own, I like to be able to get a truly international sense of fashion :)

And speaking of international - I shall now be off to my job interview at SOS International, which is a travel insurance company I will hopefully be working at this summer. Which means, if any of you get hurt while you're on holiday, I might just be the one arranging your flight home ^^