Much Ado About Nothing in London

Now, I haven't made a blog post in around a month - which also means I never got around to reviewing the performance of 'Much Ado About Nothing' at Wyndham's Theatre in London, which was the main purpose of my day-trip to London. I think I fell into some kind of post-IB pit, where I really needed to just do absolutely nothing for a while; and even though I love writing this blog, it also felt like a bit of an obligation, because I felt I needed to post regularly. Now, I'm getting back into gear - first of all, doing nothing gets boring after a while, secondly I start working in a couple of weeks, and thirdly I have tons of stuff I need to figure out before I (hopefully) leave for St Andrews mid-September. Oh, and our grades are published next Wednesday, so I guess I'm also just a bit too restless to not be doing anything. It freaks me out!!

But back to my visit to London. It was one of the best trips I've ever been on!!, even if it was not very long - I had a marvellous travel companion, and when she hopefully joins me at St Andrews in the autumn we'll have to make theatre-day trips to London a regular thing. We went to the same pub for the two nights we were there (I really love Strongbow cider - not like the sweet stuff you can get in DK), we   bought loads of books (including a V&A hat anthology and a 1959 self-help book called 'The Art of being a Well Dressed Wife'), and I got a gorgeous three-strand pearl necklace with a silver clasp at Alfies Antique Market. The McQueen dresses we saw at Harvey Nichols were amazing, and the afternoon tea at Harrods just how I imagined (well, better, really); the champagne was delicious, a waiter came to pour us more tea and ask if we wanted more of anything every 5 minutes (we didn't really - there was so much food we couldn't eat it all in the first place), and the Terrace Bar in itself is a quite beautiful place. 

We stayed at Harrods for so long we ended up having to rush home to get changed, and run to the theatre - we made it in 2 minutes before the play commenced. Our seats were great, we sat near the middle of 5th row stalls (and with a rather insubstantial price difference between the two seating-categories, I don't see how it would make sense to go for the cheaper option). Evidently, we were not the only ones there who were David Tennant fans - several girls sitting along the wall were wearing identical Superman T-shirts, which turned out to be of the kind worn by Tennant in the play, when he as Benedick listens in on his friends talking about how in love with him Beatrice is.

Overall, the play was fantastic. I hadn't read it before we went, but the change of setting from medieval Padua to 1980's Gibraltar didn't really bother me - rather, it meant all the guys were wearing crisp white navy outfits, which can only be a plus.
          The story is basically two interwoven love stories; Hero and Claudio are young lovers, who are to be married - Benedick and Beatrice mutually loathe each other, and both swear that they shall never marry. But when their friends devise a plot wherein each overhears a discussion on the other's being madly in love with them, they of course discover that they requite it. The story's villain interferes with the young engaged couple, making Claudio believe that Hero was unfaithful to him the night before their wedding; he 'exposes' her at the wedding ceremony, and Beatrice asks Benedick (who has sworn to do anything for her) to kill his friend Claudio. A Romeo & Juliette-esque scam ensues, where they pretend Hero has died of sorrow, and as her innocence is discovered Claudio falls into despair; but as the play is a comedy, we of course get our happy ending.

One of the play's themes explores gender roles; the old idea of a female falling into one of two categories, Madonna or Whore, is shown in Hero and Claudio's relationship (the Madonna-Whore complex is attributed to Freud, but it seems Shakespeare beat him to it). Claudio idolises Hero, but all too readily believes she would deceive him; he doesn't even seek an explanation, but takes revenge by exposing her publicly. Beatrice and Benedick have a more healthy relationship in that sense - they are more than aware of each other's faults, but love in spite (and because?) of them. I'd like to think that the latter were the more modern couple, but we still have some issues suggesting otherwise.. it is generally less socially accepted for a woman than a man to be casual about sex - luckily, that seems to be changing.

Not surprisingly, I think Tennant was genious in this production. He is absolutely endearing as he, utterly tonedeaf and with no apparent aptitude for rhyming, waiting for Beatrice tries to compose a love song with the help of a toy keyboard. Also, the scene where he listens in on his friends is one of the most hilarious ones I've seen in a long time - the walls are being 'painted' at the time, and in his distraction Benedick places his hand in a paint bucket; Tennant's impressive timing, his ability to look so utterly astonished and his gradually being covered in white paint (as he of course keeps barging into the paint buckets) makes for stomach cramp-causing laughter.
           I'm afraid, though, that the corresponding scene with Beatrice is not nearly as funny. It's still rather funny, but in general Catherine Tate doesn't really live up to Tennant's comical talent -- she doesn't manage to make her character quite as believable, and sometimes it seems Beatrice is nothing but a bunch of grimaces. That's a bit harsh I guess, and it's not that I don't find Tate a good actress; but the problem is, working with Tennant, she is a bit overshined.

One actor worthty of mention, though, is the production's Claudio, played by Tom Bateman. He was apparently fresh out of drama school when he landed this part, but he seems to easily match his more seasoned fellow actors. Josie Rourke (the director) has put in a 'new' scene in the play, where Claudio, after hearing of Hero's innocence and death, spends the night at the church - drinking his brains out, and ultimately almost shooting his brains out (saved by a 'vision' of Hero). This scene, as well as the animal-like anger and desparation he shows when he 'sees' Hero (really her maid) with another man after her hen party, was very impressive and deeply moving to me. I must confess, I cried a bit. So kudos to Tom Bateman - I'll look forward to seeing more of him.

I must confess, I'm still a bigger fan of Tennant in Hamlet than Much Ado About Nothing - Hamlet remains my favourite play, and the general cast of that production was more impressive. But I by no means regret going to London to watch this comedy - it was a great, great trip, I liked the play very much, and in general it is just nice to be able to watch a play in English. And as I said - we plan to make a habit of it.

There's No Place Like London

In just five days, I will be walking the streets of London! I'm going with a good friend from next Thursday evening to Saturday morning, which gives us a full Friday to enjoy the city. We'll be staying nice and central, right by Piccadilly Circus, which means most of the stuff we'll be doing is within walking distance - and means we'll have time to get home and change before we're off to the theatre. 

The plan so far is to start the day off with book shopping in the huge Waterstone's right where we live; I went there last time I was in London as well, and bought a copy of Lewis Carroll's Alice's Adventures in Wonderland as well as Dita von Teese's Burlesque and the Art of the Teese. I love Dita von Teese's style, and that she's been able to revive a more aesthetic, less vulgar form of strip tease - where it's really more art than anything else. I have yet to actually see a burlesque show, but I will one of these days -- I must admit I imagine it sort of like being on the set of Cabaret. I hope I'll find more great fashion books this time around, I've soon filled a shelf with them, but I'm missing some on shoes. And possibly one on McQueen. And whatever else I haven't thought of yet.

This and the picture to the left are
photos I took of some of Polly
Morgan's pieces exhibited in the
summer 2010

Following the book shopping, we'll go to the gallery The Haunch of Venison, which I briefly mentioned in a past post. I am hoping the experience will be as great as last time I went - back then I was slightly put off by looking at their homepage, but decided to go anyway and did not regret doing so. One of the artists they were showing a couple of works by was Polly Morgan; I even bought a book about her work, named Psychopomps. 

After that, we've planned to go vintage shopping at Alfie's Antique Market - an indoor market in Marylebone. I found it when searching the web for vintage shops in London last time I went, where I came up with a place called The Girl Can't Help It; I hadn't the time to go during my previous visits, but this time around I will. 

We also plan to visit the small Beyond Retro in Soho; there I bought a beautiful opera coat in black moire with red silk lining, from the 1950s I'd guess, last time I was in London. We sort of happened upon it, because it is situated right next to a really nice Korean restaurant named RAN, where I went with some people (including the friend I'm going to London with this time around) during our studytrip to London last spring. We might go there to have dinner again, but that is not quite decided. 

Now, we're arriving to the two main reasons for the trip. I e-mailed Harvey Nichols at Knightsbridge to ask how long they would exhibit the McQueen garments in their windows; it said until the end of May on their homepage, and I would be so sad if I didn't catch it. Whether it was my email or they'd decided upon it already I do not now, but after some days I got the reply that 'they could confirm' the exhibition would stay in place until the middle of June! So of course we will be going to Harvey Nichols. 

When our noses begin to feel sore from being pressed against the glass too long, we'll move on to Harrods to have afternoon tea at the Terrace Bar, with scones, cucumber sandwiches and a flute of champagne. I haven't ever tried proper afternoon tea (although I have had scones with clotted cream once), so I can't wait.

And then, finally, we'll go home to the hotel to change into heels and drop off a day's worth of shopping bags, and set off towards Wyndham's Theatre. We'll collect our tickets and go watch Much Ado About Nothing with David Tennant and Catherine Tate. I can't wait to watch a Shakespeare play in proper English (not that easy in Denmark - except of course for our amazing A Midsummer Night's Dream), with great actors, with a friend who's just as crazy about both Shakespeare and David Tennant as I am :)

We'll probably go eat dinner after the play, and then find some pub where we can hang out until the small hours, and then go to the hotel and pack; our train from London to the airport leaves at ten past five in the morning, so it'll really be no use going to bed. I'm so excited!!!

Waterstone's Piccadilly

203/206 Piccadilly
London W1J 9HD

Open: mon-sat 9-22; sun 11.30-18

Haunch of Venison

6 Burlington Gardens

London W1S 3ET

Open: mon-fri 10-18; sat-sun closed (free admission)

Alfies Antique Market

13-25 Church Street

London NW8 8DT

Open: tue-sat 10-18; sun-mon closed

Beyond Retro 

58-59 Great Marlborough Street (in the cellar)

London W1F 7JY

Open: mon-wed 10.30-19.30; thu-fri 10.30-20.30; sat 10.30-19.30; sun 12-18

Ran Restaurant (horrible website, nice restaurant)

58-59 Great Marlborough Street
London W1F 7JF

Open: mon-sat 12-15 & 18-23; sun 18-23

Harvey Nichols

109-125 Knightsbridge

London SW1X 7RJ

Open: mon-sat 10-20; sun 11.30-18

Harrods

87-135 Brompton Road 

Knightsbridge

London SW1X 7XL

Open: mon-sat 10-20; sun 11.30-18

Wyndham's Theatre 

32-36 Charing Cross Road

Leicester Square

London WC2H 0DA